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34. Show Me The Picture. The Jim Marshall Story; movie review

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Title : 34. Show Me The Picture. The Jim Marshall Story; movie review
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SHOW ME THE PICTURE - THE STORY OF JIM MARSHALL
Cert TBA
92 mins
BBFC advice: TBA

When I quiz my dad about his entrenched views on Brexit, he always comes back to his belief that: "Life was better in the 1960s".
Unfortunately, his argument doesn't bear scrutiny when it comes to equal rights for women or race relations. Put simply, he just remembers everyone having a good time.
Let me be clear, my mum and dad are pretty square, so they certainly weren't anywhere near the forefront of cultural change in their favourite decade.
Jim Marshall was.
He captured on film some of the most iconic moments of 1960s American history and culture but, as Alfred George Bailey's biopic reflects, often this was in spite of himself.
Even those who called him a close friend testify to his savage temperament and addiction to drugs.
These characteristics, combined with the eye of a genius, actually fitted in well with 60s rock'n'roll and so he was given access to the greats such as The Beatles, Jimi Hendrix, Rolling Stones, Bob Dylan and the notoriously badly behaved Johnny Cash and Miles Davis.
Show Me The Picture: The Story Of Jim Marshall looks back at the tumultuous life of a child of immigrant parents who was abandoned by a hard-drinking father and brought up by his mother and aunts from whom he was later estranged.
It briefly touches upon his boyhood fascination for cameras before revealing his initial foray into music photography by capturing images of jazz musician John Coltrane.
Much of his success came down to making sure he was in the right place at the right time, taking intimate and brilliant photos, and blind luck.
If he had been brought up anywhere other than California, life may not have been the same.
Bailey's film includes Marshall's most stirring images which came from his unparalleled opportunities.
It includes interviews with those who were touched by his genius but are also honest appraisers of his character.
There is also archive footage of Marshall, speaking about his photography which forged his reputation and his passion for guns and cars which got him into "trouble".
Others, including his personal assistant Amelia Davis, give an insight into his drug abuse which he conquered before his death in 2010.
It is a portrait of a character who may have been difficult but was doubtlessly a genius. Such artists are seldom seen nowadays.

Reasons to watch: A great insight into why photography matters
Reasons to avoid: Marshall is not particularly likeable

Laughs: None
Jumps: None
Vomit: None
Nudity: Very brief image
Overall rating: 8/10


Did you know? Jim Marshall's photographs appeared on the covers of more than 500 albums.

The final word. Alfred George Bailey: "With this documentary, I want to give Jim Marshall the recognition he deserves as one of the great chroniclers of music, culture and society of the twentieth century." 







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